The precise explanations of the Chanmyay method loop in my mind, making me question every movement and sensation as I struggle to stay present. It is just past 2 a.m., and there is a sharpness to the floor that I didn't anticipate. I've wrapped a blanket around myself to ward off that deep, midnight cold that settles in when the body remains motionless. My neck is tight; I move it, hear a small crack, and then immediately feel a surge of doubt about the "correctness" of that movement. That thought annoys me more than the stiffness itself.
The looping Echo of "Simple" Instructions
I am haunted by the echoes of Satipatthana lectures, their structure playing on a loop. "Note this sensation. Know that thought. Maintain clarity. Stay continuous." In theory, the words are basic, but in practice—without the presence of a guide—they become incredibly complex. In this isolation, the clarity of the teaching dissolves into a hazy echo, and my uncertainty takes over.
I notice my breath. Or I think I do. It feels shallow, uneven, like it doesn’t want to cooperate. My chest tightens a bit. I label it mentally, then immediately question whether I labeled too fast. Or too slow. Or mechanically. That spiral is familiar. It shows up a lot when I remember how precise Chanmyay explanations are supposed to be. Precision turns into pressure when no one’s there to correct you.
Knowledge Evaporates When the Body Speaks
My thigh is aching in a steady, unyielding way. I attempt to maintain bare awareness of it. The mind keeps drifting off to phrases I’ve read before, things about direct knowing, bare awareness, not adding stories. A quiet chuckle escapes me, and I immediately try to turn that sound into a meditative object. I try to categorize the laugh—is it neutral or pleasant?—but it's gone before the mind can file it away.
I spent some time earlier reviewing my notes on the practice, which gave me a false sense of mastery. On the cushion, however, that intellectual certainty has disappeared. My physical discomfort has erased my theories. The knee speaks louder than the books. The website mind wants reassurance that I’m doing this correctly, that this pain fits into the explanation somewhere. I don’t find it.
The Heavy Refusal to Comfort
I catch my shoulders tensing toward my ears; I release them, only for the tension to return moments later. The breath stutters. I feel irritation rising for no clear reason. I recognize it. Then I recognize recognizing it. Then I get tired of recognizing anything at all. In these moments, the Chanmyay instructions feel like a burden. They offer no consolation. There is no "it's okay" in this tradition. There is only the instruction to see what is true, over and over.
There’s a mosquito whining somewhere near my ear. I wait. I don’t move. I wait a little longer than usual. Then I swat. I feel a rapid sequence of irritation, relief, and regret, but the experience moves faster than my ability to note it. I see that I am failing to be "continuous," and the thought is just a simple, unadorned fact.
Experience Isn't Neat
The theory of Satipatthana is orderly—divided into four distinct areas of focus. But experience isn’t neat. It overlaps. Sensation bleeds into emotion. Thought hides inside bodily tension. I sit here trying not to organize it, trying not to narrate, and still narrating anyway. My mind is stubborn like that.
I break my own rule and check the time: it's 2:12 a.m. Time passes whether I watch it or not. The ache in my thigh shifts slightly. I find the change in pain frustrating; I wanted a solid, static object to "study" with my mind. Instead it keeps changing like it doesn’t care what framework I’m using.
The technical thoughts eventually subside, driven out by the sheer intensity of the somatic data. Heat. Pressure. Tingling. Breath brushing past the nose. I stay with what’s loudest. Then I drift. Then I come back. No clarity. No summary.
I don't have a better "theory" of meditation than when I started. I am simply present in the gap between the words of the teachers and the reality of my breath. sitting in this unfinished mess, letting it be messy, because that’s what’s happening whether I approve of it or not.